the memory of water
In the 1990s, Dr. Masaru Emoto hypothesized water has a consciousness capable of changing its expression when exposed to music, photographs, and language. Water exposed to “positive” factors such as classical music or words of gratitude result in water crystals arranged in aesthetically pleasing patterns, while negative elements like death metal music and offensive language generate unattractive imagery.
The Memory of Water (Chopin: The Farewell Song) •12 x 12 x 2"D•Acrylic, acrylic glass, mirror tile, grease marker, compressed charcoal, pencil, and resin on wood panel
This series draws inspiration from Dr. Emoto’s high-speed photographs of water crystals and was created for the Water Music exhibition at DZINE Gallery in San Francisco. The exhibition title nods to the orchestral compositions of Handel, while the paintings visually explore water’s molecular response to music.
Water, as the most powerful solvent on Earth, remains odorless, colorless, and tasteless — yet holds an incredible capacity for change. I chose to work on sheets of acrylic glass & mirror tiles to reflect both the strength and fragility of water. Each painting is composed of layered acrylic sheets, stacked on mirror tiles, mounted on panels, and sealed with resin. These materials add depth, with the mirror reflecting its surroundings, ensuring the artwork continues to evolve long after leaving my studio.
The reflective surface invites the viewer into the piece, transforming them into participants in the artistry. The ever-changing environment interacts with the painting—for example, the blue tones in some pieces are reflections of the sky when they were photographed outside. This interplay between artwork and environment echoes the dynamic nature of water itself.
