sanfrancisco
This post explains the method I use for creating the mixed media works.
I take a lot of pictures. I take photos with my phone when I am walking or driving, and I see something that I know intuitively will work well as a painting.
When I start a painting, I go through all of my photos and choose one. I edit and crop the picture on my computer so it will fit on the canvas the way I want it to. I do this process for all of my works, not only for the mixed media works. I like tweaking photos to maximize the effect that I want the painting to have. Here is an example of a painting I did where I spent a lot time finding the "perfect" edit. I wanted the figure to be slightly off center so the folds in her robe would be emphasized. I like having figures slightly cropped so their bodies are pushing off the edge of the canvas, thus not revealing all of the figure. I think this creates a little bit of tension and therefore makes for better composition.
Once I have the perfect photo, I do a line drawing of it on an 11x14" sheet of acetate, which is the same thing as a clear transparency. I use the Sakura Pigma Micron pens in sizes 1 and 3.
Example of drawing done on 11x14" acetate in pen. I use nail polish and a q-tip to clean up, erase, or redo any smudged lines
Next I block in some of the color on the back of the transparency with acrylic paint. I block in color for the main areas on the back of the transparency.
The opposite (front) side of the drawing now looks like this.
Next I paint the mixed media paper (also 11x14"). I block color in and paint the general composition of the painting. After making sure the drawing and painting correspond, I continue alternating between building up the texture and composition on the paper.
I add more paint to the back of the acetate.
I do this process using brushes and often with a palette knife. hen I remove a lot of the paint by scraping it with the palette knife so the composition on the canvas shows through.
I continue working like this: adding and removing pain. I build up the paint, create, and remove layers on the acetate, while simultaneously working on the paper and adding more paint there as well.
Here is the final result. When seen in person, the work looks three dimensional because of the layers created between the acetate and the paper.
When viewed as a photograph on the web, most people ask me if the work is a watercolor. These paintings are difficult to photograph because of the glass like reflection the acetate creates. Here you can see three different photos of the same painting photographed under different light as to minimize the reflection.
It is a long process because of the many steps involved. It usually takes around 3 hours for me to do the drawing, sometimes longer, and then about 10-20 additional hours for the painting; this in addition to taking the photo and spending anywhere from 30 minutes to two hours editing the photo. Sometimes I obsess over a tiny area and spend a lot of time trying to get the color and movement of the paint perfect on both the acetate and the paper. My goal is for the work to look effortless, but this is created by intense scrutiny and constantly reworking the paint. I recently did a painting of Chicago only to find that the painting on paper did not look right. It looked okay, but the "feeling" that I wanted the painting to have was not there. I could not figure out how to make it look better, so I redid the entire painting on paper.